BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ChamberMaster//Event Calendar 2.0//EN
METHOD:PUBLISH
X-PUBLISHED-TTL:P3D
REFRESH-INTERVAL:P3D
CALSCALE:GREGORIAN
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260501
DTEND;VALUE=DATE:20260522
TRANSP:TRANSPARENT
X-MICROSOFT-CDO-ALLDAYEVENT:TRUE
SUMMARY:SEEKING PLACE: Simple Objects telling stories | MaRae Wylde
DESCRIPTION:SEEKING PLACE: Simple Objects telling stories. \n\nBY MACRAE WYLDE\n\nGallery Exhibit| MAY 1 - 24 | WED-SUN\, NOON - 5 PM \n\nPigment objects and sculpture built from color gathered off the ground. Platforms for color. A quiet reminder that we all come from somewhere.\n\nArtist Statement\n\nDirt\, rock\, clay\, mud\, found in different places\, all having unique identifiable characteristics. It is important because it comes from somewhere\, we all come from somewhere. It is part of the story\, not the plot but a theme that shapes the novel. Where something comes from\, its origins will always be evident.\n\n \n\nIt is also important because I saw it\, and for some reason\, stopped to pick it up. Was it the color\, or that it was accessible? The beginning of these pieces was the random collection of colored rock. I did my first show of pigment panels over thirty years ago. Something triggered the desire to collect color again\, enough to make it part of any trip. Not essential\, but a possibility\, that if I came across a good color\, I would think to stop\, and have a way to collect it.\n\nThe pieces are platforms for color. Forms and shapes designed to make you see the color\, not alone\, but next to something else. It could be the wall behind a panel\, or the space around a sculpture. It could be something that you see through a piece\, for they are intended to be seen together so each one has both its origins and its own character. They are unique and yet related. Deceptively simple\, work that captures your attention with color and form\, drawing you in\, then giving a platform for contemplation.\n\nWe all come from somewhere. We all breathe air and drink water. Simply being human gives us more in common than any differences can divide.\n\nThere is no way to escape from the times we live in. I am deeply affected by the daily barrage of injustice and cruelty that occurs. This body of work is not an escape\, but a reminder\, that we all come from somewhere. We all breathe air and drink water. A reminder that simply being human gives us more in common than any differences can divide. The land we walk on has both a shared beauty and an implied conservation.\n\nThis work is intended to be taken in with time\, to allow the viewer to slow down\, to think about how we are connected. This show combines work from the last few years\, the pigment objects with a few simple pieces that both ask questions and tell stories.\n\n \n\nAbout the Artist\n\nMacRae is a sculptor and pigment artist whose work has shown widely across the Pacific Northwest and beyond\, with public installations in Auburn\, Washington\; Vincennes\, Indiana\; and The Dalles\, Oregon. Born in Boston in 1964\, he studied at Colorado College\, the School of the Museum of Fine Arts Boston\, the College of Santa Fe\, and the International School of Art in Umbria\, Italy\, with additional training at the Northwest School of Wooden Boat Building.\n\nHis work has been recognized with a 1st Place award at the 7th Biennial Salmon Sculpture Competition at the San Angelo Museum of Art\, the Curator's Award and 1st Place at Best of the Gorge\, and the 2nd Place Critic's Award at Big Art\, Hood River. Recent shows include Art Seen at the Oregon Coast Council for the Arts\, Spectra at the Arts Council of Lake Oswego\, and Something New on Bainbridge Island.
X-ALT-DESC;FMTTYPE=text/html:
\nSEEKING PLACE: Simple Objects telling stories.
\n\nBY MACRAE WYLDE
\n\nGallery Exhibit| MAY 1 - 24 | \;WED-SUN\, NOON - 5 PM \;
\n\nPigment objects and sculpture built from color gathered off the ground. Platforms for color. A quiet reminder that we all come from somewhere.
\n\nArtist Statement
\n\nDirt\, rock\, clay\, mud\, found in different places\, all having unique identifiable characteristics. It is important because it comes from somewhere\, we all come from somewhere. It is part of the story\, not the plot but a theme that shapes the novel. Where something comes from\, its origins will always be evident.
\n\n \;
\n\nIt is also important because I saw it\, and for some reason\, stopped to pick it up. Was it the color\, or that it was accessible? The beginning of these pieces was the random collection of colored rock. I did my first show of pigment panels over thirty years ago. Something triggered the desire to collect color again\, enough to make it part of any trip. Not essential\, but a possibility\, that if I came across a good color\, I would think to stop\, and have a way to collect it.
\n\nThe pieces are platforms for color. Forms and shapes designed to make you see the color\, not alone\, but next to something else. It could be the wall behind a panel\, or the space around a sculpture. It could be something that you see through a piece\, for they are intended to be seen together so each one has both its origins and its own character. They are unique and yet related. Deceptively simple\, work that captures your attention with color and form\, drawing you in\, then giving a platform for contemplation.
\n\nWe all come from somewhere. We all breathe air and drink water. Simply being human gives us more in common than any differences can divide.
\n\nThere is no way to escape from the times we live in. I am deeply affected by the daily barrage of injustice and cruelty that occurs. This body of work is not an escape\, but a reminder\, that we all come from somewhere. We all breathe air and drink water. A reminder that simply being human gives us more in common than any differences can divide. The land we walk on has both a shared beauty and an implied conservation.
\n\nThis work is intended to be taken in with time\, to allow the viewer to slow down\, to think about how we are connected. This show combines work from the last few years\, the pigment objects with a few simple pieces that both ask questions and tell stories.
\n\n \;
\n\nAbout the Artist
\n\nMacRae is a sculptor and pigment artist whose work has shown widely across the Pacific Northwest and beyond\, with public installations in Auburn\, Washington\; Vincennes\, Indiana\; and The Dalles\, Oregon. Born in Boston in 1964\, he studied at Colorado College\, the School of the Museum of Fine Arts Boston\, the College of Santa Fe\, and the International School of Art in Umbria\, Italy\, with additional training at the Northwest School of Wooden Boat Building.
\n\nHis work has been recognized with a 1st Place award at the 7th Biennial Salmon Sculpture Competition at the San Angelo Museum of Art\, the Curator'\;s Award and 1st Place at Best of the Gorge\, and the 2nd Place Critic'\;s Award at Big Art\, Hood River. Recent shows include Art Seen at the Oregon Coast Council for the Arts\, Spectra at the Arts Council of Lake Oswego\, and Something New on Bainbridge Island.
\n
LOCATION:Columbia Center for the Arts 215 Cascade Ave\, Hood River OR
UID:e.3275.3882
SEQUENCE:3
DTSTAMP:20260501T003749Z
URL:https://www.mtadamschamber.com/events/details/seeking-place-simple-objects-telling-stories-marae-wylde-3882
END:VEVENT
END:VCALENDAR